The Software Factory methodology is based on recognition of these similarities and a drive to extend the concept of "reusability" to the point where we achieve entirely automated product lines. Based on an analysis and understanding of the common features and techniques of a set of applications, a Software Factory defines a tailored, end-to-end methodology for building these applications. At the heart of the Software factory methodology is the concept of Domain Specific Languages (DSLs), which in essence are development environments specifically tailored to the set of applications in hand. It removes a certain degree of flexibility but greatly enhances productivity by removing a lot of the coding complexity (for an analogy, consider the use of the now ubiquitous drag-and-drop controls in Winforms or Visual Basic). Further, in the SF methodology, patterns, process advice, and best practices can be harvested and applied for all applications in the set. There are some good books on the theory of SF already on the market. Up until this point, a lot of these concepts were fairly theoretical and abstract.
The female ghost or yurei (literally, "faded spirit") is perhaps the most recognizable figure in Japanese horror culture, powerfully reinforced through the success of Japanese ghost films such as Ringu ("The Ring") and Ju-On ("The Grudge"). Their traditional appearance - long black hair in disarray over the face, white skin and white burial clothing - goes back to the very first painted scroll images of such creatures, of which the prototype is Gift of Acabar free pdf said to be Maruyama Okyo's painting of the ghost of the geisha Oyuki, from 1750. "Night Parade Of Dead Souls," the first book of its kind to be published in English, collects 70 of the most striking and disturbing Japanese ghost images from classic art, and offers an essential glimpse into the twilight strata of Japanese art, popular myth, and religious belief. The artists featured range from obscure painters to the venerated ukiyo-e artist Tsukioka Yoshitoshi, who created numerous ghost paintings around 1880. All the paintings, which range in date from 1750 to the early 20th century, are shown at full-page length, and in full colour throughout. The Ukiyo-e Master Series: presenting seminal collections of art by the greatest print-designers and painters of Edo-period and Meiji-period Japan.
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Author: Gunther Lenz,Christoph Wienands
Number of Pages: 214 pages
Published Date: 05 Nov 2014
Publisher: Springer-Verlag Berlin and Heidelberg GmbH & Co. KG
Publication Country: Berlin, Germany
Language: English
ISBN: 9781430211754
Download Link: Click Here
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